{"id":18,"date":"2016-01-15T21:29:36","date_gmt":"2016-01-15T21:29:36","guid":{"rendered":"http:\/\/theme-fusion.com\/avada\/classic\/?page_id=18"},"modified":"2026-06-29T15:49:30","modified_gmt":"2026-06-29T13:49:30","slug":"home-reveres-dorif","status":"publish","type":"page","link":"https:\/\/www.dorif.it\/reperes\/","title":{"rendered":"Home"},"content":{"rendered":"

Introduction g\u00e9n\u00e9rale<\/span><\/h3><\/h1><\/span>
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David GALLI<\/a><\/span><\/span>2026-06-14T08:36:16+02:00<\/span>

David GALLI, Arts et r\u00e9sidences hom\u00e9ostatiques<\/a><\/h4>

Arts et r\u00e9sidences hom\u00e9ostatiques \u00a0 Num\u00e9ro coordonn\u00e9 par David Galli \u00a0 \u00a0 Ce num\u00e9ro de revue s\u2019inscrit \u00e0 la suite d\u2019un \u00e9v\u00e9nement international organis\u00e9 en France, \u00e0 Avignon, avec notre R\u00e9seau franco-italien de recherche interdisciplinaire[1]. En approchant collectivement les limites de l\u2019industrie cr\u00e9ative (GALLI 2023) et ses processus vivants, nous avons fait appara\u00eetre des enjeux artistiques plus sp\u00e9cifiques aux cultures humaines. Les chercheurs et les artistes sont, comme leurs cong\u00e9n\u00e8res, Continue de lire...<\/a><\/p><\/div><\/article><\/section><\/div>

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Premi\u00e8re partie : \u00ab Arts et r\u00e9sidences hom\u00e9ostatiques \u00bb<\/span><\/h3>\n<\/div>
Alessandro LEIDUAN<\/a><\/span><\/span>2026-06-14T08:32:43+02:00<\/span>

Alessandro LEIDUAN, La cr\u00e9ation artistique \u00e0 l\u2019\u00e8re num\u00e9rique<\/a><\/h4>

Alessandro LEIDUAN \u00a0 La cr\u00e9ation artistique \u00e0 l\u2019\u00e8re num\u00e9rique \u00a0 \u00a0 Alessandro Leiduan Ma\u00eetre de Conf\u00e9rences H.D.R. (section 71) Universit\u00e9 de Toulon alessandro.leiduan@univ-tln.fr R\u00e9sum\u00e9 Cet article \u00e9tudie les effets des technologies num\u00e9riques sur la cr\u00e9ation artistique en interrogeant la compatibilit\u00e9 entre les dispositifs techniques contemporains et les conditions cognitives qui rendent possible l\u2019exp\u00e9rience fictionnelle. En s\u2019appuyant sur une approche g\u00e9n\u00e9alogique de la fiction, il d\u00e9fend l\u2019id\u00e9e que celle-ci repose sur Continue de lire...<\/a><\/p><\/div><\/article>

Judith CACERES, Marie-Caroline NEUVILLERS<\/a><\/span><\/span>2026-06-14T08:28:39+02:00<\/span>

Judith CACERES, Marie-Caroline NEUVILLERS, Quand l\u2019imaginaire nourrit la d\u00e9fiance : repr\u00e9sentations des m\u00e9dias et des journalistes dans la fiction audiovisuelle<\/a><\/h4>

Judith CACERES, Marie-Caroline NEUVILLERS \u00a0 Quand l\u2019imaginaire nourrit la d\u00e9fiance : repr\u00e9sentations des m\u00e9dias et des journalistes dans la fiction audiovisuelle \u00a0 \u00a0 Judith Caceres Avignon Universit\u00e9, Aix Marseille Univ, CNRS, CNE judith.caceres@avignon-univ.fr Marie-Caroline Neuvillers Avignon Universit\u00e9, Aix Marseille Univ, CNRS, CNE marie-caroline.neuvillers-prudhon@univ-avignon.fr R\u00e9sum\u00e9 Cet article analyse la mani\u00e8re dont les fictions audiovisuelles repr\u00e9sentent les m\u00e9dias et les journalistes, et comment ces repr\u00e9sentations nourrissent des imaginaires pouvant renforcer la d\u00e9fiance Continue de lire...<\/a><\/p><\/div><\/article>

Laurent FAUR\u00c9, Thierry SERDANE<\/a><\/span><\/span>2026-06-23T15:40:58+02:00<\/span>

Laurent FAUR\u00c9, Thierry SERDANE, L\u2019imaginaire scientifique est-il soluble dans la cr\u00e9ativit\u00e9 vid\u00e9oludique ?<\/a><\/h4>

Laurent FAUR\u00c9, Thierry SERDANE \u00a0 L\u2019imaginaire scientifique est-il soluble dans la cr\u00e9ativit\u00e9 vid\u00e9oludique ? \u00a0 \u00a0 Laurent Faur\u00e9 Ma\u00eetre de conf\u00e9rences Universit\u00e9 Paul-Val\u00e9ry Montpellier 3 laurent.faure@univ-montp3.fr Thierry Serdane Ma\u00eetre de conf\u00e9rences Universit\u00e9 Paul-Val\u00e9ry Montpellier 3 thierry.serdane@univ-montp3.fr R\u00e9sum\u00e9 Dans quelle mesure une reconstitution historique peut-elle relever de la (re)cr\u00e9ation\u00a0? L\u2019article explore le lien entre l\u2019imaginaire scientifique et les dispositifs cr\u00e9atifs du game design, en particulier dans la mise en sc\u00e8ne immersive Continue de lire...<\/a><\/p><\/div><\/article>

Jeanne FERRARI-GIOVANANGELI<\/a><\/span><\/span>2026-06-23T15:33:22+02:00<\/span>

Jeanne FERRARI-GIOVANANGELI, De l’\u00e9ph\u00e9m\u00e8re \u00e0 l’archive : l’H\u00e9ritage Immersif en cr\u00e9ation<\/a><\/h4>

Jeanne FERRARI-GIOVANANGELI \u00a0 De l'\u00e9ph\u00e9m\u00e8re \u00e0 l'archive : l'H\u00e9ritage Immersif en cr\u00e9ation \u00a0 \u00a0 Jeanne Ferrari-Giovanangeli Ma\u00eetresse de conf\u00e9rences en Sciences de l'Information et de la Communication Universit\u00e9 Paris Nanterre, Laboratoire DICEN jferrari@parisnanterre.fr R\u00e9sum\u00e9 Crise du m\u00e9dium unique et risque d\u2019un \u00ab\u00a0digital dark age\u00a0\u00bb, l\u2019\u0153uvre immersive, car \u00e9ph\u00e9m\u00e8re et instable, pose des d\u00e9fis de patrimonialisation. Si sa p\u00e9rennit\u00e9 repose sur des d\u00e9pendances logicielles, il en est tout autant des traces Continue de lire...<\/a><\/p><\/div><\/article>

Laura SANTONE<\/a><\/span><\/span>2026-06-14T08:14:25+02:00<\/span>

Laura SANTONE, Fellini et la publicit\u00e9 : entre cr\u00e9ativit\u00e9, r\u00eave et marketing<\/a><\/h4>

Laura SANTONE \u00a0 Fellini et la publicit\u00e9 : entre cr\u00e9ativit\u00e9, r\u00eave et marketing \u00a0 \u00a0 La cr\u00e9ativit\u00e9 et le jeu vont d\u2019un m\u00eame pas. (Jung) \u00a0 Laura Santone Universit\u00e0 Roma Tre laura.santone@uniroma3.it R\u00e9sum\u00e9 Dans cette \u00e9tude nous nous penchons sur Federico Fellini cr\u00e9ateur publicitaire en essayant de montrer comment le spot fellinien na\u00eet du m\u00eame geste qui inspire le cin\u00e9aste. Malgr\u00e9 son rapport contradictoire avec la publicit\u00e9 \u2013 il en Continue de lire...<\/a><\/p><\/div><\/article>

Sam CORNU<\/a><\/span><\/span>2026-06-23T16:09:27+02:00<\/span>

Sam CORNU, R\u00e9flexivit\u00e9 de la recherche-cr\u00e9ation : le cas de \u00ab La Vilenie \u00bb<\/a><\/h4>

Sam CORNU \u00a0 R\u00e9flexivit\u00e9 de la recherche-cr\u00e9ation : le cas de La Vilenie \u00a0 \u00a0 Sam Cornu Sciences de l\u2019information et de la communication Laboratoire ICTT \u2013 Avignon Universit\u00e9 R\u00e9sum\u00e9\u00a0 Cet article vise \u00e0 mobiliser le propre texte dramatique de l\u2019auteur, La Vilenie, pour \u00e9tudier la mani\u00e8re dont la r\u00e9flexivit\u00e9 de la recherche-cr\u00e9ation peut s\u2019\u00e9laborer \u00e0 l\u2019universit\u00e9. Si la cr\u00e9ation th\u00e9\u00e2trale est souvent pens\u00e9e comme le lieu d\u2019une singularit\u00e9, elle Continue de lire...<\/a><\/p><\/div><\/article><\/section><\/div>

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Deuxi\u00e8me partie : \u00ab Et tout le reste est litt\u00e9rature… \u00bb<\/span><\/h3>\n<\/div>
David GALLI, Billel AROUFOUNE<\/a><\/span><\/span>2026-06-23T15:50:19+02:00<\/span>

David GALLI, Billel AROUFOUNE, NOLUOT<\/a><\/h4>

David GALLI, Billel AROUFOUNE \u00a0 NOLUOT \u00a0 \u00a016 janvier 2026. Un bruit. GALLI et AROUFOUNE s\u2019enracinent dans leurs si\u00e8ges[1]. \u00a0 GALLI. Oh\u2026 encore des sentiments[2].\u00a0 AROUFOUNE. Radicaux[3], je le crains ! GALLI. Des sentiments radicaux, pour une fois. Hum. Cela pourrait \u00eatre beau. AROUFOUNE. Attendez. C\u2019est-\u00e0-dire se montrer au grand jour ? Revenons d\u2019abord \u00e0 la racine, bon sang ! GALLI. Ils ne peuvent pas se montrer, on peut juste Continue de lire...<\/a><\/p><\/div><\/article>

Martin RUEFF<\/a><\/span><\/span>2026-06-14T08:00:00+02:00<\/span>

Martin RUEFF, Comment truffer le mot truffe<\/a><\/h4>

Martin RUEFF \u00a0 Comment truffer le mot truffe \u00a0 \u00a0 D\u2019o\u00f9 vient le mot truffe\u00a0? comment comprendre que ce mot d\u00e9signe \u00e0 la fois une esp\u00e8ce de champignon et l\u2019extr\u00e9mit\u00e9 du museau des chiens\u00a0? Quelle logique pr\u00e9side \u00e0 cette donn\u00e9e rendue encore plus \u00e9trange du fait qu\u2019il existe des chiens truffiers, et que, s\u2019ils sont truffiers, ce n\u2019est certes pas parce qu\u2019il cherche des museaux\u00a0auxquels se frotter ? Et aussi\u00a0: Continue de lire...<\/a><\/p><\/div><\/article>

Martin RUEFF<\/a><\/span><\/span>2026-06-14T07:56:06+02:00<\/span>

Martin RUEFF, La poire Conf\u00e9rence<\/a><\/h4>

Martin RUEFF \u00a0 La poire Conf\u00e9rence \u00a0 \u00a0 Per citare questo articolo: Martin RUEFF, \u00ab La poire Conf\u00e9rence\u00a0\u00bb,\u00a0Rep\u00e8res DoRiF,\u00a0hors-s\u00e9rie \u2013\u00a0Arts et r\u00e9sidences hom\u00e9ostatiques, DoRiF Universit\u00e0, Roma, giugno 2026, https:\/\/www.dorif.it\/reperes\/martin-rueff-la-poire-conference\/ ISSN 2281-3020 Quest\u2019opera \u00e8 distribuita con Licenza\u00a0Creative Commons Attribuzione \u2013 Non commerciale \u2013 Non opere derivate 3.0 Italia.<\/p><\/div><\/article>

Billel AROUFOUNE<\/a><\/span><\/span>2026-06-23T15:53:18+02:00<\/span>

Billel AROUFOUNE, Proscrire la cr\u00e9ation<\/a><\/h4>

Billel AROUFOUNE \u00a0 Proscrire la cr\u00e9ation[1]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 Billel Aroufoune Ma\u00eetre de conf\u00e9rences Universit\u00e9 de Toulon billel.aroufoune@univ-tln.fr \u00a0 Derri\u00e8re chaque \u0153uvre emp\u00each\u00e9e une main de ge\u00f4lier ou de bourreau obstruant le chemin. La main est d\u2019une taille dont les yeux n\u2019arrivent pas \u00e0 voir l\u2019extr\u00e9mit\u00e9, sans limite, sans vergogne, elle frappe fort. Parler de l\u2019\u0153uvre c\u2019est lui donner vie, la vivre c\u2019est lui enlever de sa racine ce qui fait Continue de lire...<\/a><\/p><\/div><\/article><\/section><\/div>

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