{"id":8608,"date":"2021-10-18T11:05:04","date_gmt":"2021-10-18T09:05:04","guid":{"rendered":"https:\/\/www.dorif.it\/reperes\/?p=8608"},"modified":"2021-12-16T10:41:05","modified_gmt":"2021-12-16T09:41:05","slug":"karine-marcelle-arneodo-notice-biographique","status":"publish","type":"post","link":"https:\/\/www.dorif.it\/reperes\/karine-marcelle-arneodo-notice-biographique\/","title":{"rendered":"Karine Marcelle Arneodo – Notice Biographique"},"content":{"rendered":"

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Karine Marcelle Arneodo – Notice Biographique<\/strong><\/h2>\n

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Karine Marcelle Arneodo (1973) est une po\u00e9tesse de langue fran\u00e7aise traductrice de l’italien et du japonais. Elle est l’auteure d’une th\u00e8se de doctorat pr\u00e9sent\u00e9e \u00e0 l\u2019INALCO en 2013 sur la po\u00e9sie japonaise de l’apr\u00e8s-guerre. Elle a publi\u00e9 aux \u00e9ditions La Barque (Paris) les recueils de po\u00e8mes intitul\u00e9s L\u2019Entre-terre<\/em> (2017) et que j\u2019appellerais comme<\/em> (2019). Aux m\u00eames \u00e9ditions ont \u00e9galement paru deux volumes de traduction des po\u00e8tes d\u2019Arechi (The Waste Land)\u00a0: Po\u00e8mes 1945-1955<\/em> d\u2019Ayukawa Nobuo et Le monde sans les mots<\/em> de Tamura Ry\u00fbichi. Le po\u00e8me publi\u00e9 ici est une mise en ab\u00eeme des tensions qui traversent l\u2019\u00e9criture du po\u00e8te contemporain quand celui-ci se livre au renouveau des pratiques d’une rime d\u00e9tourn\u00e9e et des assonances.<\/p>\n

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Per citare questo articolo:<\/p>\n

Karine Marcelle ARNEODO, \u00ab Notice biographique \u00bb, Rep\u00e8res DoRiF<\/em>, Hors-s\u00e9rie \u2013 Les processus de communication : oralit\u00e9, \u00e9criture, digital<\/em>, DoRiF Universit\u00e0, Roma, ottobre 2021, https:\/\/www.dorif.it\/reperes\/karine-marcelle-arneodo-notice-biographique\/<\/p>\n

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ISSN 2281-3020<\/p>\n

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Quest\u2019opera \u00e8 distribuita con Licenza\u00a0Creative Commons Attribuzione \u2013 Non commerciale \u2013 Non opere derivate 3.0 Italia<\/a>.<\/p>\n

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